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montebattaglia: Bandella di copertina Monte Battaglia, processo creativo // bozza, china, grigi Le seguenti bandelle sono state realizzate da Gabriele. Sì, perchè il volume ha pure due bellissime bandelle. C’è ben poco da aggiungere, godetevele!

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montebattaglia:

Bandella di copertina Monte Battaglia, processo creativo // bozza, china, grigi

Le seguenti bandelle sono state realizzate da Gabriele. Sì, perchè il volume ha pure due bellissime bandelle.

C’è ben poco da aggiungere, godetevele!

peterhon: leseanthomas: THIS is how you use the flash animation program. By being exceptional FIRST.  If you’re an amazing artist/animator, the FLASH program will not change that. If you’re mediocre & weak artist/animator, the FLASH program will not change that. 

♥ Apr 22nd at 7PM / via: peterhon / op: leseanthomas / tagged: kairos. comics. animation. / reblog / 339 note
newyorker: An early look at next week’s cover, “Shadow Over Boston,” by Eric Drooker: http://nyr.kr/17LMi7V

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newyorker: An early look at next week’s cover, “Shadow Over Boston,” by Eric Drooker: http://nyr.kr/17LMi7V

♥ Apr 19th at 8PM / via: newyorker / op: newyorker / tagged: cover. Illustration. painting. New Yorker. / reblog / 380 note

Da ‘Di alcuni omaggi all’Isola dei Morti’.

Bacilieri, Tota, Macola, Fior, Critone e Druillet omaggiano Boecklin.

‘Lights Out’ (Gobelins 2011). In the city at night, the light spawns its way into the shadow territory. By Aloyse Desoubries Binet, Sandrine Han Jin Kuang, Stéphanie Pavoine, Jonathan Vermersch, Étienne Metois. 

♥ Mar 29th at 11AM / via: theartofanimation / op: theartofanimation / tagged: Amy Casey. painting. city. / reblog / 1645 note
dreebo: Paul Pope.

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dreebo: Paul Pope.

♥ Mar 26th at 11AM / via: dreebo / op: dreebo / tagged: Paul Pope. Illustration. omaggio. / reblog / 11 note
thomascampi: “First Date”. You can buy a print here

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thomascampi: “First Date”. You can buy a print here

docshaner: I love these 4 pages from the 21st volume of Alain Dodier’s Jérôme K. Jérôme Bloche. I can’t understand a word of the dialogue, but I don’t need to. Admittedly, part of my admiration for this sequence may have to do with my own little girl, but that doesn’t change how well constructed and drawn this is.